An independent crew for galleries, brands and agencies running the December art weeks: satellite fairs, gallery dinners, collector previews and the activations that take over the whole city.
For one week every December the art world relocates to Miami, and it spills far past the main fair. Satellite fairs open across the beach and the mainland, galleries throw dinners, museums host late parties, and brands build pop-up activations to catch the collectors moving between them. The whole city turns into a single program running from morning previews to after-midnight rooms.
That density is why speed decides everything here. The week lasts five days, and a recap that arrives on day six is content nobody needs, because the audience has already flown home and the conversation has moved on. We start cutting on site so a polished edit lands inside 24 to 48 hours, while the people in it are still in town and still talking.
Because demand is brutal this week, we hold these dates months ahead and rarely take last-minute bookings for the first week of December. If your gallery, brand or agency has events on the calendar, reserving early is the only way to guarantee a crew that is fluent in this kind of room.
We block the first week of December well in advance and rarely accept it late, so reserving early is the only way to lock a crew that already knows these rooms.
The week has a short shelf life, so we edit on site and deliver inside 24 to 48 hours, while the guests are still in the city and the buzz is still live.
We expose for gallery walls, hold color faithful to each piece, and shoot crowds discreetly so the work and the people both read honestly on screen.
Reserve three to four months out. The first week of December is the single busiest stretch on our calendar, crews lock early, and once the dates fill there is no overtime that buys them back. The earlier you hold a slot, the more of your week we can protect.
Yes, and it is the smart way to run the week. We build a single schedule across your vernissage, dinners and activations, keep one consistent look and color across everything, and turn each night around so the run reads as one continuous story rather than scattered clips.
We expose for the gallery walls so whites stay white instead of blowing out, lock white balance to the room, and frame to skip the hot reflections that come off glass and varnish. The result is footage where the art reads the way it actually looks on the wall, with crowds captured quietly around it.
Send us your Art Week schedule and we reply within one business day with availability and an itemized proposal.
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